“case study 001 for dublab” is a collection of field recordings taken from all over the world and pressed onto vinyl, in addition to other songs of similar resonance. All the recordings included in this mix are sounds I’ve been digging lately. As a listener, I’ve always been a seeker of music that brings me closer to the root, or the source of all things. I think field recordings (vs. studio recordings) are a much closer translation of reality and therefore stirs something in me that over-produced recordings do not, which is why I gravitate towards them. Unfortunately, a lot of musicians on these recordings were not given proper credit, so we’ll have to do with track names. Hope you enjoy! – Rani de Leon


Tracklist:

Benzéle Pygmies – Hindewhu (whistle) Solo Bashi; Bahutu; Barundi – Trough Zithers Gourmantché lute and calabash Fulani ensemble Fulani lute and calabash “Issanji” Orchestra Malinke Tribe-French Sudan, Harp with drums, (instr) – War Song Anouk Toum “Finger Piano” Kofu Lemma Gebre Hiwot, Selamawit Gebre Selassie, Zenebech Tesfaye – Yihe New Wey Mizesh Anche-Lej-A-Male Fisherman’s Songs Exú Candomble Caboclo de pena Capoeira Ogum Men playing dominoes Female solo; accordian acc. – Noj Dilbere Siva – Invocational “Alarippu” Vocal with Katjapi and Violin – Sorban Palid “Melanda A Nwambamba” Ainu Folk Song One stringed harpes Coconut Pickers Song Take Me Back to Mabayi Shantu music and singing Bees Masu-tandu singers and drummers

For more sounds of this variety, visit www.villagearchives.org.

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