10/20/17 Broadcasts

  • 10:00am – 12:00pm Frosty w/ guest Ruben Molina – Celsius Drop: Chicano Soul Special

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    Here it is, highly honed and happening for YOU. On his weekly Celsius Drop show, dublab co-founder Frosty guides you through an exploration of the vast Future Roots music spectrum. Tune-in to grasp your destiny.

    On this episode Frosty welcomes fellow dublab DJ and music historian Ruben Molina on the occasion of the Tenth Anniversary Edition of his book Chicano Soul: Recordings and History of an American Culture. Ruben will talk about his remarkable music research and play tunes to bring these stories to life. Don’t sleep on this deep soul exploration!

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    Photo Eilon Paz (Dust & Grooves)

    ABOUT THE BOOK:

    In 2007, Ruben Molina published the first-ever history of Mexican-American soul and R&B music in his book, Chicano Soul: Recordings and History of an American Culture. Ten years later, Chicano Soul remains an important and oft-referenced study of this vital but often overlooked chapter of the greater American musical experience. Chicano soul music of the 1950s and 1960s still reverberates today, both within Chicano communities and throughout many musical genres. Molina tells the story of the roots of Chicano soul, its evolution, and its enduring cultural influence.

    “Brown-eyed soul” music draws on 1950s era jazz, blues, jump blues, rock `n’ roll, Latin jazz, and traditional Mexican music such as ranchera, norte¤o, and conjunto music. With its rare and gorgeous photos, record scans, concert bills, and impressive discography (to say nothing of its rich oral histories/interviews), it is one of those rare works that speaks to both general and academic audiences.

    As a teen in the 1960s, Ruben Molina used to take a bus to Hollywood to shop for records, and his passion for vinyl never waned. As a dedicated community historian, Molina interviewed dozens of the artists whose music he loves. Much of Chicano soul music’s recent recognition and renaissance can be traced directly to Molina. He has deejayed with the Southern Soul Spinners crew since 2010.

  • 12:00pm – 2:00pm Jimmy Tamborello – Dying Songs

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    “Dying Songs” focuses on melancholic electronic music but isn’t limited to that. Sometimes it gets dark, sometimes I try to mix techno awkwardly, sometimes i get nostalgic… I like stuff that’s dreamy, ghostly, pretty and sad. I’ll try out new productions of my own, as well. I’m keeping it pretty open and we’ll see how it evolves.” – Jimmy Tamborello

  • 2:00pm – 4:00pm Carlos Niño & Miguel Atwood-Ferguson – THEME GALAXY

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    THEME GALAXY is a new monthly show on Dublab brought to you by Los Angeles Radio Veteran and Dublab Founding DJ Carlos Niño with Multi-Instrumentalist, Composer, Arranger, Music Archivist Miguel Atwood-Ferguson. Their concept is simple: Every program will have a Theme. Together they will conceive of and co-host the shows. They’re excited! Please join them!

    Happens every Third Thursday 2pm to 4pm

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    miguelatwoodferguson.com

  • 4:00pm – 6:00pm Derelict – Damage Control

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    Derelict is the cicada of his dublab peers, burrowing out every few years, to lay songs in your ears. Some of the songs are exceedingly long, whilst some others will be played at speeds that are all wrong. Some will say “Too much techno!” or “Jungle is dead!;” but the patient will know a segue to AfroKrautJazzChillout is just ahead. Enjoy the occasional guest spot in between trainwrecks or fugues, and we hope you enjoy listening through your phonograph tube.

  • 6:00pm – 8:00pm DJ Lady C w/guest Chaz (Toro y Moi) – Rare Air

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    Rare Air is a product of its time and space, not adhering to any specific genre but rather whatever the wind blows into DJ Lady C’s consciousness. Roots reggae & dub records, classical cassettes, avant-garde electronic CDs, ambient and new age experimental media – Rare Air is a mixed bag made possible by the human experience of living in the 21st century in the City of Angels, surrounded by inspiration, noise, the constant hustle, and countless record stores full of treasure and good people.

    This week Lady C will be joined by Chaz of Toro y Moi.

    Born and raised in Columbia, South Carolina, Chaz Bear (formerly Bundick) has been actively involved in music going back to his early teenage years playing in punk and indie rock bands. Bear unveiled his Toro y Moi guise in 2001, in which he began incorporating electronics and channeling a wider swath of stylistic influences – from indie rock and ‘60s baroque pop to ‘80s R&B, French house, and underground hip-hop – into his own solo music. By the time he graduated from the University of South Carolina in 2009 with a BA in graphic design, Bear had refined Toro y Moi into a truly unique, captivating project, with numerous music magazines and blogs touting his hazy recordings as the sound of summer. His Carpark-released debut album, Causers of This, would follow in early 2010 and garnered high praise in many publications including NME and Pitchfork.

    With each subsequent record, Bear revealed himself to be as prolific as diverse. From the space-age funk of 2011’s Underneath the Pine to the introspective, house-tinged pop and soul of 2013’s Anything in Return, to the ‘70s radio gold influences percolating throughout 2015’s What For?, Bear consistently steered Toro y Moi in new directions while never sacrificing his melodic sensibility or keen ear for arrangements and texture. Although his most recent excursions – last year’s stunning concert film/album, Live from Trona (featuring an expanded line-up of Toro y Moi’s touring group performing in the California desert), and his Star Stuff collaboration with jazz duo the Mattson 2 (just released in late March on Carpark sister label Company Records, which Bear runs) – were full-band affairs, his latest Toro y Moi album is a much more personal outing.

    Recorded and produced by Bear in Portland, Oregon, between March 2016 and March 2017, the spacious arrangements mirror the intimate, soft-hued pop of Boo Boo. Eschewing the traditional rock instrumentation of What For?, slow- pulsing neon synths and electronics are once again far more prevalent, with subtle ‘80s influences finespun through his song craft. Throughout, Bear plays all of the instruments, with the exception of guest spots from Anthony Ferraro (a/k/a Astronauts, etc. and also Toro y Moi’s live keyboardist) and Madeline Kenney (Company Records recording artist). Toro y Moi’s most reflective album to date, the woozy contemplations and daydreams of Boo Boo point toward an idyllic path of catharsis for not only the listener, but for Chaz Bear himself.

  • 8:00pm – 10:00pm Induce – Dancing, Thinking Loving, Listening

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    It all started with these words from Induce, “Bout to get on and play some weird stuff @dublab till about 4. Tune in!” Then the lightning split the sky and all the sounds from the dublab studio on this oblate spheroid called Planet Earth were pulled into the cosmos in a single beam of high lumen energy. From this newly elevated point they hit the universal prism of memory reflection and were split throughout the wide universe. We’re happy you got your radio attuned to Induce’s transmission. Whether you’re hearing this 2 billion years from now or simply right now we know you’ll enjoy the “weird stuff” being offered.

  • 10:00pm – 11:59pm Private Selection Radio

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    After leaving the dangerous planet i-44, a group of .wav-slaves fly toward a distant speck. The speck gradually resolves into a decaying planet called TO-P40. Civil war strikes the planet, which is ruled by wack DJs, an evil force capable of train-wrecking sets and capitalistic event production. Terrified, a clan of ravers flee the Empire, with their protectors, Private Selection Records. They head for Los Angeles from the planet TO-P40. But when they finally arrive, they encounter a tribe of sound hounds. Private Selection attempts to use their records to defend the clan. Sadly, the ravers are captured by the sound hounds and taken back to an unknown location. Only through monthly broadcasts of eclectic music can Private Selection transmit these sacred frequencies in hope that the clan of ravers might find their way back.