5/29/17 Broadcasts

  • 9:00am – 10:00am Bruce Easley – dublab Session

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    For still being in the ‘sub 30 club’, Bruce’s career – that has spanned nearly a decade already – has taken him from working small clubs and bars in Philadelphia, to his spiritual home of New York, where over the last four years he has become a highly desirable DJ, selector and vibe aficionado.

    He has contributed original music and remixes to labels Like Fool’s Gold, Soul Clap and Let’s Play House – as well as lending an influential ear to vinyl-heavy Brooklyn imprint Razor-N-Tape.

    Behind the scenes, Bruce has been the musical shaman and head of programming for a trio of popular Brooklyn venues, the third leg of the collective DJ Palace NYC, and has been involved in a number of music-centered philanthropic endeavors that support the music community and the human community at large.

    Bruce has – in no uncertain terms – leveraged his predisposition for the funk, love for community and bringing people together, into a life of giving – beginning with his unique prowess manipulating two turntables – with hundreds of thousands of people.

  • 10:00am – 12:00pm Ale w/guest Cole Medina – Elevation Through Sound

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    Alejandro Cohen is a musician and composer from Los Angeles, California. He has written and performed music as part of numerous projects and groups, including Languis, Pharaohs and Psychic Powers. He is also a composer of music for TV shows, documentaries and educational materials. Ale works at dublab as part of the full time office team along with frosty and Lavenders.

    Cole Medina is internationally recognized for his entrancing dance music productions. Born and raised in Downey, CA, he played instruments and wrote music throughout his childhood. A background in jazz won him competitions, awards, and scholarships. In high school he was presented with the Bronze Viking Award, the school district’s highest award of achievement in art. His productions are heard on dance floors all over the globe in the most respected clubs and online broadcasts. Cole’s music is a sure favorite amongst noted underground dj’s such as Dj Harvey, Prins Thomas, Todd Terje, Mark E, Juan Maclean, RubNTug, Alex From Tokyo, Foolish Felix, Ooft, and Rob Mellow, just to name a few heavy hitters. Owner of House Arrest, this unique label offers past and present releases still heavy in demand. From the instant house-classic “Buffalo Bill”  to a more recent sold out Bee Gees remix on American Standard, Cole continues to deliver a sultry-edgy beat. There’s no mystery as to why Cole receives strong support from dj peers and why his releases do so well…Working on his craft non-stop and forming relationships abroad, all the while remaining humble and open-minded. Cole Medina is guaranteed a successful future as he branches on his new label Licorice Delight as well as distinguished labels around the world.

  • 12:00pm – 2:00pm Matthewdavid – Mindflight Meditations

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    Matthewdavid hosts his monthly, live show on dublab for the Aquarians, featuring lost tapes and live improvisations.

  • 2:00pm – 4:00pm Danny Holloway w/guests Mario C (Beastie Boys) and Matt Robinson – Heads Up

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    I spin at clubs, lounges, parties + on radio. From ’97 to ’05, I spent up to twelve hours a day pursuing obscure funk music, traveling to Brasil, Jamaica, Nigeria, Ghana, France, the UK, Mexico and Canada digging for records. I’m from the LBC, but professionally began in London in the ’70s: first as a staff writer on the NME music weekly, followed by a few years at Island Records. I worked with BOB MARLEY, BURNING SPEAR, TOOTS & THE MAYTALS, JIMMY CLIFF and produced the HEPTONES album “Night Food.” I moved back to L.A. after five years in London and went back with Island, eventually lasting 23 years. I produced THE PLIMSOULS, signed SUBLIME, put together 22 soundtrack albums, etc. I recently returned to music journalism and I’m the music supervisor on a Marley feature film, doing consulting work for iTunes and still producing music. I’m also still digging and share the wax by spinning out or creating mixes for DUBLAB.COM.

    This Wednesday: MATT ROBINSON & MARIO C join me for a special edition of Heads Up radio. The three of us have been friends since the 80s. We also each got bitten by the reggae bug. So this show brings us together playing the Jamaican tunes we love the most. MATT took Of in the 80s with the FUNKY REGGAE night + soon had a label with Island, then he became the head of Black Music at Capitol Records. Mario C emerged at the start of Delicious Vinyl’s run, started working with the Beastie Boys as producer and engineer on every lp from Paul’s Boutique to Hello Nasty. He built the Beasties studio too, got a Grammy for a Brazilian recording with Sly & Robbie on it. It’s also Dublab’s fund drive, so listen live on Wednesday or to the archive which will be up by Friday…but please find the time to donate to dublab.

  • 4:00pm – 6:00pm Rival Consoles – Live dublab Set

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    London-based electronic songwriter Ryan Lee West aka Rival Consoles to release his most personal work to date in the form of a mini-album titled ‘Night Melody’ through Erased Tapes on 5th August 2016.

    During the release of his acclaimed full-length album ‘Howl’ and heavy touring in late 2015, Ryan came out of a 13-year long relationship and found himself making music throughout the winter months. The result of his efforts is a 34-minute, 6-track mini album ‘Night Melody’, born out of and shaped by long hours working into the night. It’s nocturnal in sound; mysterious in the way that the early hours so often are.

    “I found myself, in a silent home, with the days getting dark very early. I’ve never before in my life been affected by the lack of light so much. I just remember it always being night time. I would either make music into the night, go out drinking with friends, or go to parties and dance into the early hours, every day, week after week, month after month, until eventually the days became brighter again.”

    The opening statement ‘Pattern of the North’ starts off with a collage of spliced synth melodies, inspired by anxiety that accompanies going home for Christmas. It’s followed by ‘Johannesburg’, an early sketch gradually filled out during his tour in South Africa.

    “After playing it around some of the cities, I got a lot of inspiration to bring it to life and push it into something that really moves me. I think this is one of my most colourful pieces of music, with its driving rhythm and almost a homage to Terry Riley’s ‘In C’ towards the end, with a build of very simple, hypnotic parts. I especially love that for over five minutes the piece is tied to just one note. This makes the ending very dramatic, because all of a sudden there is this harmonic change.”

    ‘Lone’ started life around the time Ryan was working on his ‘Sonne’ EP in 2014. It’s the result of constant adjustments to find the perfect balance of fragility and assurance. As everything on the album, it’s a carefully considered, emotionally mature piece. “I think, as I get older, I need music to represent something and not just sound interesting, though of course the two are connected.”

    The closing statement ‘What Sorrow’ is a fitting end to the album, building from gentle melancholia to a joyous crescendo. It’s a sensibility that’s central to the record; joy and sorrow both find their counterpoints.

    “This record is very personal to me and I hope it offers something for other people, as it helped me to make it and to listen to it. Almost every synth line was recorded intuitively, without perfection but with a lot of intention and expression. I’m not interested in making something sad or making something happy. I want music to be bittersweet, to be more complex, like life – containing moments of vibrant colour and hope, as much as darkness and sadness.”

    This summer will see Ryan follow on from his recent North American Tour with the appearance at many festivals including Lovebox, Secret Garden Party, La Route Du Rock, Sea Change and Tale of Us-curated Afterlife party at Space, Ibiza. ‘Night Melody’ will be available on 12” vinyl and digitally, August 5th.

  • 6:00pm – 8:00pm Lovefingers w/guest Orpheu De Jong aka Orpheu The Wizard – ESP Institute

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    Welcome to the ESP Institute. Please remove your shoes at the door. Thank you.

  • 8:00pm – 10:00pm House Shoes – Magic

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    House Shoes, a resident DJ at the hip-hop staple venue St. Andrews Hall in Detroit, MI from 1994-2004 has had personal influence over a full generation of well respected emcees, producers, and then-future DJ’s. ‘Shoes was a 4x time winner of the hard earned title “Best Hip Hop DJ” in Detroit and used his platform to expose some of the best and brightest talent his city has had to offer to not only Detroit but the world as well.

    As a DJ, ‘Shoes has toured extensively throughout the U.S., Europe, and Australia with artists Guilty Simpson, Illa J, Exile, Aloe Blacc, Percee P, Phat Kat, Slum Village and Elzhi, to name a few, as well as on his own, gaining the respect of acts far outside the scope of Detroit hip-hop. House Shoes also performed as opening DJ on Mayer Hawthorne & The County’s Spring 2010 16-city headlining U.S. tour.

    As a producer, ‘Shoes has worked with the late and revered J Dilla and Big Proof, Black Milk, Danny Brown, Guilty Simpson, Roc Marciano, Chino XL, Invincible, Finale, MED, Nottz, Alchemist, Big Tone, Oh No, Elzhi, Black Spade, and many more. ‘Shoes has also helped to advise and mentor several more emcees, groups, DJ’s and producers during his time in both Detroit and California.

    As far as his musical output is concerned, he self-produced 10” limited vinyl issues have also been released on Do-Over Records, backed by Flying Lotus, and All-City Records out of Dublin, Ireland. Those 10” limited vinyl releases are already considered rare & highly sought after pieces. He’s produced tracks on Danny Brown’s “XXX” (Fool’s Gold) and Quelle Chris’ “Shotgun and Sleek Rifle” (Mello Music Group) albums. His debut album “Let It Go” was released in 2012 by Tres Records.

    He now spends the majority of his free time building new releases and strategy for Street Corner Music, his self-ran label, distributed through Fat Beats since 2013.

    www.djhouseshoes.com

    www.soundcloud.com/houseshoes

    http://www.discogs.com/label/601672-Street-Corner-Music-2